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REVIEW: SummerStock Austin’s Sweet Charity at
the Rollins Theatre
By Rob Faubion
I'm always a bit
trepidacious when I set foot in a theatre to see an all-student
production of one of my favorite musicals. Inevitably,
the youth and inexperience of the cast can never live up to my
cherished memories from past professional productions and
national tours.
This year, the annual
student training program SummerStock Austin took on full-stage
productions of Cabaret and Sweet Charity, playing them in repertory for two weeks.
For the folks who don't often venture “south of the
river,” the SummerStock Austin project auditions scores
of high school and college students across the nation, selects
the Top 40 or so kids, and brings them to Austin - tuition-free
- for several weeks in the summer for intense musical
The reviews
from their production of Cabaret, which opened last week, have certified that
Artistic Director and Music Director Michael McKelvey has
scored another hit. And I've experienced several of
SummerStock Austin's wonderful stagings in the past, so I knew
that the professional creative and production team could handle
the rigors of a musical as complex as Sweet Charity. But
could the students?
My fears subsided
when the all-student orchestra, under the baton of Jason
Conner, lit into the great Cy Coleman music. And then we
met our "Charity Hope Valentine" - and then I knew
that Valentine's Day had come early.
Carrying the show in
the title role, actress Sara Burke is a true triple-threat.
This girl can belt out a tune while dancing her heart out
- and make it all look effortless. She captures the
rollercoaster of emotions that befall Charity - from pride to
pathos - and delivers them without being maudlin.
Equally excellent are
Briana Watson and Taylor Edwards as her taxi dancer co-workers
"Helene" and "Nickie." In addition to
being exceptional singers and dancers, the young actresses
allowed enough of their soft sides to seep through their
characters' tough exteriors to make them both sympathetic.
The men in the cast perform equally well, from Josean
Rodriguez's neurotic boyfriend "Oscar" to Matthew
Harper's over-the-top portrayal of lothario film star
"Vittorio Vidal."
In fact, the entire
ensemble simply sparkles throughout the performance - and not
just because of their vintage costumes courtesy of Pam
Fletcher-Friday. Director Ginger Morris instilled the
necessary skills and knowledge into her actors, leading to
believable adult characters coming from an all-student cast.
Choreographer Vincent
Sandoval deftly resurrects Bob Fosse's original choreograph,
which the cast performs to perfection. All the iconic and
signature numbers that had me so worried - "Hey Big
Spender," "Rich Man's Frug," "The Rhythm of
Life," "I'm a Brass Band," etc. - were all fully
realized on the intimate Rollins Theatre stage.
But the problem with
running two big musicals in repertory is how to design the core
set so that it works for both productions. The minimal
designs by Larry Lehew left several scenes - such as the
supposedly swanky Pompeii Club - looking thread-bare, while
other scenes functioned more effectively.
But considering the
ingredients necessary to pull off this spectacle of a show -
including great voices, amazing dance skills, and worldliness
beyond their years - the students of this year's SummerStock
Austin have cooked up an amazing theatrical experience.
Not only is this Charity sweet, she is down-right delicious!
Performances of Sweet Charity
continue through August 7th, running in repertory with Cabaret. The
productions are performed entirely by a student company, and
feature student musicians in the orchestra.
Tickets range from $15 to
$25. Performances run Wednesdays through Sundays at 7:30
p.m., with matinees on Saturdays and Sundays at 2 p.m. Click
here for a complete list
of show dates and times.
SummerStock Austin
is a sponsored project of St. Edward's University and Zilker
Theatre Productions. For reservations and more
information, call (512) 428-1297 or visit www.SummerStockAustin.org.
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